I see myself and human nature in the material of glass. It's transparent, marked, formed by heat, and adaptable.
I'm drawn to this material strongly because of how compelling I find it to be. It's a liquid burning at 2450 degrees
Fahrenheit and impossible to touch with bare hands, and yet I can pour it, mark it, shape it, form it into my desires,
or let it shape itself as it naturally cools before my eyes. My work is partially manipulated by my gloves and tools,
and partially free formed by gravity to take on its own desired shape. In my experience we learn when pressed,
stretched, pushed, and made to feel our internal edges and borders. My glass pieces are formed in the same manner
thru heat, pressing, stretching, and forming. They are abstractions of us.
I was born in New Orleans, LA. I entered my Masters Program at Tulane University in 1995 and took
an elective studio class “Beginning Glass Art” taught by Gene Koss. It was love at first sight.
The physicality of working hot glass fit perfectly with my Mercurial personality and courageous attitude.
I have taught hot glass casting classes in: Toyama-Japan; Pilchuck Glass School- Stanwood, WA; Penland
School of Crafts-North Carolina; Urban Glass-Brooklyn, NY; First City Art-Pensacola, FL; and
Tulane University in New Orleans, LA. I have created one of a kind cast and blown glass pieces for Hilton
and Harrah’s Hotels, restaurants, galleries, and private collectors worldwide. I see human nature in the
material of glass. The heat and trials of life shape us, changing our internal edges and borders.
Heat shapes glass, an adaptable and impressionable organism as we are. My glass pieces are formed in the same
manner, they are abstractions of us and I approach creating my work with this mindset. In 2010 I created and
founded “The Yes Foundation, INC” a 501(c)(3) to teach persons with disabilities using wheelchairs to blow and
cast molten glass. In 2016 I received a US Patent for my invention of a modified workbench that participants
in wheelchairs can cast and blow glass from, making this studio art form ADA (Americans with Disabilities Act)
Compliant. The Yes Foundation, INC accepts donations, and is on Amazon Smile at www.amazon.com as a Charity
that can receive a percentage of sales that you purchase.
Interested in one of my pieces? Send me an email using the Contact Me menu item and reference the piece number in the comments.
My process of glass casting begins with a huge furnace that burns at 2350 degrees Fahrenheit! The
furnace holds about 600 lbs. of molten hot glass. We use recycled clear glass windshields and bottles at
my studio. These broken up pieces are shoveled into the furnace, and melt over the course of 24 hours into
a molten consistency that pours much like the thickness of honey. The only difference is that it is 2350
degrees Fahrenheit, much unlike honey! I suit up in a thick leather jacket, long pants, face shield and
Kevlar fireproof gloves and "scoop" molten glass out of the furnace into graphite, sand, or steel molds.
The "scoop" I use is called a ladle and weighs about 40 lbs. Often I have to scoop 2 to 4 consecutive ladles
into my molds to get the size of pieces that you see in the gallery. From there I drop the ladle and attend
to the glass, which is being contained in the molds and is slowly cooling. I have to use a torch that shoots
fire to keep certain edges warm as the center still holds the majority of the heat. This process can take up
to several minutes depending upon the size of the piece. Once cooled adequately, I attach the mass of glass
to a 6 foot steel rod called a "punte" in Italian. This enables me to reheat the entire piece in a glory hole.
The glory hole is a reheating chamber that burns at 2350 degrees Fahrenheit. I can then re-melt some areas I
want to manipulate and re-shape. This process can go on for up to 2-3 hours depending on my desired result.
I work with a team of 1 to 4 assistants to help me with this process. It is hot and heavy work without any
breaks. If the glass gets too cold it shatters before my eyes, if it gets to hot it drips uncontrollably onto
the floor. At the end of the shaping process the piece is broken off of the punte with water and put into an
annealing oven. This annealing oven cools the piece from 950 degrees Fahrenheit to room temperature over about
4 days. The piece has to cool slowly as it goes thru many chemical changes going from a liquid to a solid.
It is an act and dance of balance. It has taken me 17 years to master this craft and process.